Graphic Design & Prepress · 2014–2016

Turning flat art into physical displays.

Three years at US Display Group, a corrugated POP display manufacturer — officially a Graphic Designer, unofficially the extra man who touched every stage of the process: art, dielines, prepress, printing, and cutting.

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The job

US Display Group, 2014–2016. Corrugated POP displays — the branded cardboard fixtures anchoring retail end caps and checkout lines.

What I touched

Dieline art, prepress, flatbed printing, large-format machine cutting, 3D rendering — six stages, not one.

The pipeline

Concept to dieline to print to cut to a prototype standing up on a retail floor.

US Display Group designs and manufactures corrugated POP (point-of-purchase) displays — the branded cardboard fixtures you see anchoring end caps and checkout lines in retail stores. My title was Graphic Designer, but the job was never that narrow.

I became the extra man of the prototype pipeline — the person who could step into whatever stage needed help. That meant building art directly onto engineering dielines, running prepress checks, operating the flatbed printer, cutting prototypes on a large-format cutting machine, and building 3D renderings so clients could see a display before it existed.

It was a different kind of design job — one where the work didn't stop at the file export. A design only succeeded if it also folded, glued, and stood up correctly on a retail floor.

“My title said Graphic Designer. My day-to-day said art, prepress, printing, and cutting — whatever the prototype needed next.”

Dieline Art Creation

Built print-ready artwork directly onto engineering dielines, aligning graphics to fold lines and cut edges.

Prepress

Checked files for print and structural accuracy before a design went to press or cutting.

Flatbed Printing

Ran flatbed printing for prototype and short-run displays, direct to corrugated substrate.

Machine Cutting

Operated a large-format cutting machine to cut prototypes to exact dieline specification.

3D Rendering

Built 3D visualizations so clients could see a display before it existed physically.

Prototyping, Generally

Stood in wherever the workflow needed an extra hand — start to finish, not one stage.

Concept & ArtInitial design direction
Dieline LayoutArt fit to structure
PrepressPrint & structural checks
Flatbed PrintOutput to substrate
Machine CutCut to dieline spec
PrototypeAssembled, ready to review
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From flat art to a floor display

Assets by Spanx — one permanent floor display followed from flat header art, through the dieline, to the finished 3D render.

One project that shows the whole pipeline start to finish: a permanent floor display for Assets by Spanx — designed, laid out on the dieline, and rendered by me before it ever hit a flatbed printer or a cutting table.

Client

Assets by Spanx — "Love Your Assets"

Illustrated header artwork for the Assets by Spanx display, featuring a woman in a black dress, the ASSETS logo, and a photobooth-style product strip
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Start with the header art

Every display starts as flat artwork — the illustrated figure, logo lockup, and product photography built as a standalone graphic before it ever touches a structural template.

The Assets by Spanx header artwork mapped directly onto the display's structural dieline, showing fold lines, tabs, and slots
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Fit the art to the dieline

Here's the part most designers never touch: mapping that same artwork onto the engineering dieline — working around fold lines, glue tabs, and slot cuts so the graphic survives being folded into a physical object.

A second dieline panel for the Assets by Spanx display, showing the bottom shelf artwork with the New York City skyline graphic and the 'Love Your Assets' logo
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Repeat it panel by panel

A display is built from many panels, not one — shelves, risers, base units. Each one gets the same treatment: art built to the exact cut-and-fold geometry of that piece.

Finished 3D render of three assembled Assets by Spanx floor displays

The finished 3D render

Built to show the client exactly how it would look on the floor — before a single panel was printed or cut.